The casework of the Royal Fine Art Commission for Scotland illustrations of sites and projects considered recently.

Cover of: The casework of the Royal Fine Art Commission for Scotland |

Published by Rutland Press in (Edinburgh) .

Written in English

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Subjects:

  • Royal Fine Art Commission for Scotland.,
  • Architecture -- Environmental aspects -- Scotland.

Edition Notes

Cover title.

Book details

ContributionsRoyal Fine Art Commission for Scotland.
The Physical Object
Pagination26 p. :
Number of Pages26
ID Numbers
Open LibraryOL21751388M
ISBN 101873190239
OCLC/WorldCa34723293

Download The casework of the Royal Fine Art Commission for Scotland

Six engravings in illustration of The fair maid of Perth, for the members of the Royal Association for Promotion of the Fine Arts in Scotland. () (Reprint) [Leatherbound] by Royal Association for the Promotion of the Fine Arts in Scotland.

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The Royal Fine Art Commission was appointed by royal warrant in May to enquire into questions of public amenity or artistic importance referred to it by government departments and other public or quasi-public bodies.

These limited duties were extended by a further warrant of which enabled the commission to call to the attention of. The Online Books Page. Online Books by. Royal Association for the Promotion of the Fine Arts in Scotland. Books from the extended shelves: Royal Association for the Promotion of the Fine Arts in Scotland: Eight engravings in illustration of Waverle for the members of the Royal Association for Promotion of the Fine Arts in Scotland.

([Edinburgh?, ]) (page images at HathiTrust). Abstract Draws attention to the work of the Royal Fine Art Commission for Scotland. Document History Superseded by Scottish planning policy (SPP) role of architecture and design Scotland.

An assessment of Scotland's sites and monuments records for the Royal Commission on the Ancient and Historical Monuments of Scotland: 4/ Item Level: Digital Files (Non-image) WP Argyll castles in the care of Historic Scotland: extracts from RCAHMS inventories of Argyll volumes 1, 2 and 7: Item Level: Digital Files (Non-image.

A year later the doors to Dumfries House swung open to reveal a dazzling array of fine art and Chippendale furniture. Art collectors lined up for the privilege of having their old masters deck the. The Royal Fine Art Commission Trust (registered charity ) was set up in as a complement to the Royal Fine Art Commission, the Government’s independent adviser on matters affecting public amenity and aesthetics in England and Wales.

Over the past thirty years, the Trust has sought to promote visual awareness and public appreciation. He was a former member of the Countryside Commission for Scotland, the Royal Fine Art Commission for Scotland, a former chairman of the Edinburgh.

She was appointed as a member of the Royal Fine Art Commission for Scotland in Rae also became a member of the Royal Academy of Art in Inshe was awarded a Commander of the Order of the British Empire. She is also a Royal Etcher, a Fellow of the Royal College of Art, and an Honorary Fellow of the Royal Society of Edinburgh.

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Arts and Culture Rediscovering the master Rembrandt at the Royal Scottish Academy The National Galleries of Scotland's major summer show explores the strong links between Rembrandt and Britain.

They led me to Florentine Art Under Fire, which is Hartt’s memoir of his time as an officer working for the Monuments, Fine Arts and Archives Commission during World War II.

These officers were assigned to protect the art of Florence and the area around it from war damage, and Hartt’s book is a very dramatic and heart-wrenching account of. There is a special category of permanent commissions which are distinct in character from inquiries such as the Royal Commission on Historical Manuscripts (now part of the National Archives) and on Ancient and Historical Monuments, the Royal Fine Arts Commission (and the separate ones for Scotland and Wales) and the Royal Commission for the.

Ian Finlay, former Director of the Royal Scottish Museum in Edinburgh, was a well-known figure in the arts of Scotland. Under his charge the museum's collection of Scottish silver was. The Royal Fine Art Commission for Scotland was a Scottish public body. It was appointed in "to enquire into such questions of public amenity or of artistic importance relating to Scotland as may be referred to them by any of our Departments of State and to report thereon to such Departments; and furthermore, to give advice on similar questions when so requested by public or quasi-public.

He was a commissioner of the Royal Fine Art Commission (), a commissioner of the Royal Commission on Historical Monuments for England (), a member of the Historic Buildings Council.

The Royal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS) was an executive non-departmental public body of the Scottish Government, which was "sponsored" [financed and with oversight] through Historic Scotland, an executive agency of the Scottish Government.

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His antiquarian interests found an outlet in his position as Vice-Chairman of the Scottish Ancient Monuments Board, and he was also an original member of the Royal Fine Art Commission of Scotland.

Nine (9) years as Inspector dealing with casework in the City of Westminster. Dealing with City Council, public, architects and developers. Presentations to EH London Advisory Committee, Royal Fine Art Commission and CABE.

High-profile casework including; Somerset House. Conversion for Hermitage collection, resurfacing of court etc. Royal Title: Deputy Head (Historic Buildings). Charles Prosser, secretary of the Royal Fine Arts Commission for Scotland, remembered Grieve as a great chairman, and pointed to a paragraph in the commission's annual report: "The design for the British National Oil Corporation headquarters in St Vincent Street, Glasgow, was strongly opposed by us and to a greater or lesser extent by all.

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It was a low-key start to a remarkable professional journey that was to follow. Charles was appointed Secretary to the Royal Fine Art Commission for Scotland in September to become its seventh and last Secretary and, at his retirement inthe longest serving.

This was a post he grew into as his passion for places developed. Book/Printed Material | Photo, Print, Drawing Six engravings in illustration of A legend of Montrose, for the members of the Royal association for promotion of the fine arts in Scotland.

Arthur Laidlaw Allan, surveyor with the Directorate of Colonial Surveys, author of the professional text book Practical Field Surveying and Computations, editor (–81) of The Survey Review; Professor John Anderson, writer, activist and Challis Professor of Philosophy at the University of Sydney; brother of Professor William Anderson, another notable alumnus of Hamilton Academy.

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n a concert hall in London, on the South Bank of the Thames: constructed for the Festival of Britain; completed – In the s, the post office (which at the time controlled telephones too), held a competition run by the Royal Fine Art Commission to find a design for a telephone kiosk that would be accepted.

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This, the GPO Kiosk No.2, was the model developed from the design by Scott which had won the competition held in by the Royal Fine Art Commission. A few rare K4s were also listed, the model which incorporated a post box and stamp machine. William Curtis Green RA, FRIBA (16 July – 26 March ) was an English architect, designer and barrister who was based in London for much of his career.

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